A Retrospective
In the gallery April 24th – July 3

and online on the Michael Tice Gallery Page

Michael Tice, who exhibited widely during his 35 years in New York City before returning to the south, opens DREAMSCAPES: A RETROSPECTIVE at Craven Allen Gallery on Saturday, April 24th.

Tice uses his luscious color palette and love for line and pattern to conjure hidden narratives of the American Dream, exploring themes of innocence—and its loss. “My work has evolved and changed over the years, from early works which were rooted in a kind of domestic surrealism, to a more complex exploration of sexuality and gender roles.”

The artist works instinctively. “My work often has a dream-like quality. I’m concerned with fluid thinking and decision making during the process. Intuition is important; I hope to surprise myself. I never fully plan a work, but rather let it evolve and change as I go along in the process of creating.” The works on display have been created over four decades and show his mastery of a variety of media, including acrylic, pastel, charcoal, watercolor and gouache.

Michael Tice received a BFA from the University of South Carolina, a fellowship to the MacDowell Colony, a fellowship from the SC Arts Commission, and has done graduate work at the University of North Carolina-Chapel Hill, and at New York University. He lives in Carrboro.




Opening Reception: Saturday, July 17th 5 to 7 pm

Through September 4th

Nature is highlighted in two shows opening at Craven Allen Gallery: Chasing Light, paintings by David Davenport, and Animals in the Hood, mixed media sculptures of recycled materials by Bryant Holsenbeck.



Through April 3rd

Beverly McIver returns to Craven Allen with a powerful new body of work.  The show can be viewed in the gallery with social distancing, as well as online on the Craven  Allen’s  Beverly McIver gallery page.

Never Going Back, detail, by Beverly McIver


A nationally known artist who has been named Top Ten in Painting by Art News, Beverly McIver was working nonstop, teaching classes at Duke, leading workshops all over the country, caregiving for her family, and painting when she could. When Covid hit, along with all of 2020’s racial and political turbulence, McIver’s life changed dramatically. McIver faced the chaos and isolation the only way she knew how—through paint.

It was an intensely productive time.  “I painted daily. It was both thrilling and terrifying; all this energy poured into two dozen new paintings,” says McIver.  Through a series of self-portraits and paintings of family and friends, McIver confronted her feelings and fears.   She created portraits of her sister and her 94-year-old father as a means of remaining intimate even as they all struggled with loneliness and isolation. A colorful silk scarf draped over her head became a mask or a blindfold. Light filtering through blinds in her home beautifully contour her face, yet also suggest prison bars.  A heavy black rope figures prominently in many of the new works. “Black friends interpreted the rope wrapped around my head as a noose and white people saw the rope as my dreadlocked hair blowing in the wind. The interpretations of the two worlds I straddle daily, collided.”

“My voice felt loud and unapologetic. I felt power in speaking my truth. I hadn’t been loud enough, and I needed to scream it,“ says McIver. “These new works do just that. I have never felt the need to be so bold about constraints and restrictions. This is the time to be brave.”

A career survey of the artist’s work begins at the Scottsdale Museum of Contemporary Art in 2022, before touring the country.  McIver is curating a show of contemporary African American artists working in North Carolina for Craven Allen Gallery in 2021.

Paul Hrusovsky, Ronan Peterson, and Peg Bachenheimer at Craven Allen Gallery September 19 - October 31



New Paintings

New Paintings

Red Earthenware

September 19 – October 31

Peg Bachenheimer, Paul Hrusovksy and Ronan Kyle Peterson combine elements of nature with pure abstraction for their three-person show Craven Allen Gallery. The gallery is open for viewing with social distancing measures in place, and the works will able to view on the gallery’s website, cravenallengallery.com

Peg Bachenheimer creates landscapes and abstract paintings using the time-honored —and challenging—techniques of oil with cold wax, and encaustic hot wax. “This ancient and durable medium has a mystery, luminosity and organic quality that give the final pieces a spiritual feeling. My process involves discovery; not knowing all that will emerge is an act of faith.” Bachenheimer hales from a family steeped in the art and museum world; she brings a discerning eye to her work which has found a wide audience.

Longtime Craven Allen Gallery director Paul Hrusovsky returns home with a vibrant collection of canvases based on organic shapes, rich with movement. The luscious surface textures have a visceral, tactile quality, enhanced by stencils and silk-screens. A Triangle gallery staple for over 30 years and outspoken arts advocate, Hrusovsky’s work is in major public and private collections.

With his modern, edgy take on traditional North Carolina functional pottery, the work of Ronan Kyle Peterson stands out as singularly imaginative. Peterson combines nature imagery with bold shapes and striking colors, seeking ” … to create a comic book interpretation of the natural world with a focus on rocks and trees and their role in the perpetual organic comedy of growth and decay.” A native of Poplar, NC, Peterson’s work is popular with collectors interested in the future of our state’s most iconic medium.




In person and online through September 5

with Sue Sneddon and friends from the Mobile City Band!


Watch the video of the closing week event here!

Sneddon’s land- and seascapes convey the quiet grandeur of the natural world in paintings ranging from intimate pastels to large oils on canvas.

From Memory is Sneddon’s 14th exhibition, over a 25 year period, at Craven Allen Gallery. The title refers to the artist’s process of letting her memories of scenes and events distill over time, as she contemplates the perfect way to capture an experience through her artwork.

“Even as a child I would say to myself, if I can paint the joy I feel in this moment, I want to be a painter,” says Sneddon. “Regardless of the time period, the paintings in this show represent pivotal moments throughout my life to remember and share.”