CLICK HERE to view the Zoom recording from Burk Uzzle’s artist talk

Passcode: #cxxc4%d


F11 and Be There is a documentary film exploring the life and work of Burk Uzzle, released in 2020.

From Burk Uzzle:

Photography sings particularly well with Bolts of energy, using tempo implied, with heart as conductor. Drum Beats formed by my many decades make the percussion section. Learned how by reflecting on the history of art.

Light, fine optics, and Photoshop all place themselves alongside evolving printing technology.

The science of all this, important as it is, especially with elegant craft, often finds itself unable to find useful words when the intuitive instincts of an artist makes for the world a universal language.

The roads to Craven Allen Gallery were long and varied. Big roads and small, through events and places of historical importance. Awestruck by not only beauty, but sometimes quirky and often humorous landscapes or homes on the side roads of small towns.

Happy am I to be a “Hard Puppy to Keep Under a Porch.” All that I have seen and done has made of me an Opera Called Experience.

See below for a selection of images featured in Lightning Bolt




Click here to read more about Burk Uzzle’s experience at Woodstock, from a New York Times article




Burk Uzzle’s career, like his pictures, is a nuanced composition blending American culture, individual psyches of particular places and people, and an atypical way of seeing ourselves, our values, and our community. Always respectful yet locating the poignant or quirky, the history of his narrative belongs to all of us. Initially grounded in documentary photography when he was the youngest photographer hired by LIFE magazine at age 23, his work grew into a combination of split-second impressions reflecting the human condition during his tenure as a member of the prestigious international Magnum cooperative founded by one of his mentors Henri Cartier-Bresson.

For 15 years, Uzzle was an active contributor to the evolution of the organization and served as its President in 1979 and 1980. During the 16 years he was associated with Magnum, he produced some of the most recognizable images we have of Woodstock (album cover and worldwide reproduction of its iconic couple hugging at dawn) to the assassination and funeral of Martin Luther King Jr. to our comprehension for the experience of Cambodian war refugees.

His archive spans almost six decades. His current work rests deep in photographic appreciation of the quiet, strong, and eloquent beauty he discovers in America’s small towns and its people. It is along small back roads, limned with feelings and a surety of surprise for the heart wide open, that continue to support his understanding of how America keeps its personality out on a limb. Uzzle’s current bodies of work are artful and constructed reflections of his subjects. His hope is for a graphic presentation of something universal within the particular, and all the better when involving a gentle chuckle and knowing smile.