EXHIBITION ARCHIVE
Summer
June 28 - August 23, 2025
Summer brings together the work of Peg Bachenheimer, Kathryn DeMarco, Paul Hrusovsky and Judy Keene, four of Craven Allen Gallery’s most popular artists. Working in a variety of mediums, including oil paint, collage and encaustic, they create pieces that range from complete abstraction to representational and figurative. Each artist pays special attention to the interactions of color and texture in their pieces, manipulating these elements in their own ways.
Paul Hrusovsky also has a decades-long relationship with Craven Allen, serving as gallery director in the early days and continuing as an exhibiting artist. Each of his pieces are layered with luscious surface textures and colors, as paint is added and scraped back, giving way to the final composition.
STATEMENT
When I was 12 years old, until I was 21, I worked at Imperial Display, a thriving store on Main Street in Wheeling, West Virginia. The shop was full of plastic flowers from Japan, and during Christmas boasted a Holiday Tree Land. Nothing local could rival this display of everything plastic with decorated trees in all colors. One had a snow machine attached to the middle and a skirt below would collect the plastic snow and recycle it. I decorated trees, made wreaths, palm trees for luaus, and arrangements for tables--and even for graves. My boss, the store’s founder Isadore Mendolson, added craft and teacher’s supplies. Since the new products didn’t come with displays, Isadore told me to take whatever materials I needed to create store samples. I worked with papier mâché, resin casting, jewelry, and all sorts of paper crafts in the studio my dad built for me at home off my bedroom. I became familiar with myriad products and had no fear of mixing them together to create all sorts of interesting pieces for the store.
My familiarity with materials, working on so many different projects, has led to my current paintings. I crave variety in both my subject matter and technique. I’m drawn to bold shapes and bright colors. I am inspired by the work of David Hockney, Keith Haring, Norman LaLiberte, and Stacy Crabill. Folk and religious art has always appealed to me, and unusual objects I’ve collected often find their way into my work.
Art should be fun and exciting to look at. There is nothing more sensual than making marks through wet paint. Mixing, glazing, scraping, and all the physical aspects of creating art comforts my soul.
Scratching the Surface
July 15 - August 26, 2023
Hrusovksy is one of the gallery’s most popular artists, and the show celebrates his thirty-year connection with Craven Allen, both as an exhibiting artist and gallery director. For over twenty years, Hrusovsky found exciting artists to exhibit in the new gallery space, putting the gallery on the map, and helping to ensure its early success.
The paintings in Scratching the Surface showcase the diversity of Hrusovksy’s subjects and techniques, ranging from the figurative to the abstract. All feature the luscious surface textures and color harmonies for which the artist is well known.
“Art should be fun and exciting to look at,” says Hrusovsky. “There is nothing more sensual than making marks through wet paint. Mixing, glazing, scraping, all the physical aspects of creating art, comfort my soul.”
A Triangle gallery staple for over four decades, and an outspoken arts advocate, Hrusovsky’s work is in major public and private collections.
STATEMENT
When I was 12 years old, until I was 21, I worked at Imperial Display, a thriving store on Main Street in Wheeling, West Virginia. The shop was full of plastic flowers from Japan, and during Christmas boasted a Holiday Tree Land. Nothing local could rival this display of everything plastic with decorated trees in all colors. One had a snow machine attached to the middle and a skirt below would collect the plastic snow and recycle it. I decorated trees, made wreaths, palm trees for luaus, and arrangements for tables--and even for graves. My boss, the store’s founder Isadore Mendolson, added craft and teacher’s supplies. Since the new products didn’t come with displays, Isadore told me to take whatever materials I needed to create store samples. I worked with papier mache, resin casting, jewelry, and all sorts of paper crafts in the studio my dad built for me at home off my bedroom. I became familiar with myriad products, and had no fear of mixing them together to create all sorts of interesting pieces for the store.
My familiarity with materials, working on so many different projects, has led to my current paintings. I crave variety in both my subject matter and technique. I’m drawn to bold shapes and bright colors. I am inspired by the work of David Hockney, Keith Haring, Norman LaLiberte, and Stacy Crabill. Folk and religious art has always appealed to me, and unusual objects I’ve collected often find their way into my work.
Art should be fun and exciting to look at. There is nothing more sensual than making marks through wet paint. Mixing, glazing, scraping, and all the physical aspects of creating art comforts my soul.
New Paintings
September 19 - October 31, 2020
Paul Hrusovsky, Peg Bachenheimer, and Ronan Peterson combine elements of nature with pure abstraction for their new show at Craven Allen Gallery. The gallery is open for viewing with social distancing measures in place, and the works will able to view on the gallery’s website, cravenallengallery.com.
Longtime Craven Allen Gallery director Paul Hrusovsky returns home with a vibrant collection of canvases based on organic shapes, rich with movement. The luscious surface textures have a visceral, tactile quality, enhanced by stencils and silk-screens. A Triangle gallery staple for over 30 years and outspoken arts advocate, Hrusovsky’s work is in major public and private collections.
STATEMENT
I am currently working with metallic and mixed-media materials on canvas. These works are inspired by childhood memories of play, ceremony and reflection. Most importantly, my new work is reminiscent of close observation of natural objects like tree barks and reptile skins.
Shards of nature and retro-figures are often found in my work. I like to create tension by painting the literal and layering elements of the abstract. I have pushed myself to create what I call a “textured colorfield”. Colors are stenciled, painted, layered and taken away. Each day has been a challenge since I work with paints that look different in the ever- changing light.
Embellished
July 1 - September 8, 2018
Longtime Craven Allen Gallery director Paul Hrusovsky returns home, exploring new territory with “Embellished”, a vibrant collection of canvases based on organic shapes, rich with movement. The luscious surface textures have a visceral, tactile quality, enhanced by stencils and silk-screens. A Triangle gallery staple for over 30 years and outspoken arts advocate, Hrusovsky’s work is in major public and private collections.
STATEMENT
Shapes derived from natural objects always interest me. I don’t record anymore, I just observe and recall later by painting the images on canvas. After a year working on simple color field paintings, I decided that I had to unite bright colors and bold shapes to calm my soul. This time I had to use stencils and silk screen to achieve the desired effect of movement and a cacophony of excessive adornment.
Passages
April 23 - June 18, 2016
Flight
July 13 - September 14, 2013
Flight conjures many possibilities, from lighter-than air-travel to escape. Nine artists are featured in the gallery’s summer exhibition: Harriet Bellows, Kathryn DeMarco, Larry Downing, Bryant Holsenbeck, Paul Hrusovsky, Cathy Kiffney, Jean LeCluyse, Luna Lee Ray and Matt Tomko.
That Was Then
May 19 - July 7, 2011
Urban Shards
November 13 - December 24, 2010