Jennifer Kunz

Artist’s Statement

            A photogram is traditionally made in the darkroom by placing objects on light sensitive paper and making an exposure from a controlled light source. Some of the first photographic images were created in this way. William Henry Fox Talbot made numerous images he called photogenic drawings by placing lace, leaves, flowers, and other objects on light sensitive paper and leaving them in the sun for exposure.  My process includes enlarging the organic objects down onto the paper, my figure being the object which blocks the light during exposure. Photograms have been embraced throughout photographic history by Man Ray, Maholy-Nagy, and Adam Fuss, and many other artists and amateurs alike.

 

            The photogram is a perfect melding of the photographic ability to capture a factual representation of life in a single moment, and a painterly sense of control of composition, color, and interaction of form and shape. The work I have created for this show chases the transient experience of my figure in the organic world I have created for it. It is a world of flesh and vegetation, imprinted upon and surrounding my body as I move through its deep space. The objects that create the world are chosen for their shape and color and ability to transmit light and texture onto the photographic surface. Each image is separate and different, recording the ephemeral nature of the objects which are degrading under the heat and light of the enlarger bulb, and my own body’s actions, caught for those few seconds under the light. These images are records of my journey through this world, glimpses of thoughts and emotions, myself an active participant, searching through the record of transient moments that make up my life.

 

 

Jennifer Kunz

919.286.3008    Jen@JenniferKunz.com

2314 W. Club Blvd • Durham, NC 27705

JenniferKunz.com

 

Shows

 

Currently Exhibiting at Craven Allen Gallery, Durham NC

Pariticipant in:  Durham Artwalk, MomArt, Watts-Hallandale Artwalk

2005 November 10 - December 18  Durham Art Guild, Durham, NC

51st Annual Juried Show

n     Juror: Judy Chicago

2004 April 1 - 10  SPAS Gallery, Rochester Institute of Technology

Woodshedding - Senior B.F.A. Show

n     Aided in organization, publicity, hanging, and removal of show

n     Exhibited senior thesis project “Trace” addressing the individual mark upon the environment

2004 Spring   Signatures 2004 Art and Literary Magazine

n     Published three literary works in award winning periodical

2004 March 12 - May 1  High Falls Gallery, Rochester, New York

Photographer’s Path 7

n     Juried By

§         Chris Barnett, Director of Visual Studies Workshop

§         Sean Corcoran, Assistant Curator of Photography, George      Eastman House

§         Therese Mulligan, Professor and Coordinator, MFA in Imaging Arts, Rochester Institute of Technology

§         Jim Thomas, Artist, Educator and Collector, Former Owner of Gallery 15

2003 Summer      Wallace Library, Rochester Institute of Technology

Collaborative Installation

n     Year-long personal project embraced the concepts approached by myself and two fellow students, inspiring four months of intensive group work to create an environment for our audience of RIT students, faculty, and visitors.

n     Addressed ideas of spirituality, euphoria, transience, ephemera, life, audience, and transformation of space through the use of large hanging poster sized photograms, handmade lamps, and a multitude of small narrative translucent imagery interwoven with thread.

n     Originally approved for one week of display, the installation was so well received that the site director asked us that the work remain installed for an additional 13 weeks.

 

Education

 

2000 - 2004       Rochester Institute of Technology, Rochester, NY

n     B.F.A. in Professional Photographic Illustration

n     Concentration in Philosophy

n     Earned Dean’s List honors for 10 of 12 quarters

n     3.4 unwieghted G.P.A

Mastered skills in

§         Traditional printing methods including silver and color printing

§         Providing critical feedback in areas of aesthetics as well as concept

§         Full working command of art history, specifically contemporary photographic discourse

§         Knowledge and understanding of computer imaging capture and manipulation. Specifically skilled with Photoshop and Dreamweaver

§         Detailed and effective writing skills in both critical response and personal expression

 

Affiliations

 

Member of Society for Photographic Education

Member of American Society of Media Photographers

 

 

 

 

 

Close this window